Gotye and kimbra relationship poems

Hiding In Plain Sight: Gotye’s Hit and Abuse Culture | University of Minnesota Women's Center Blog

gotye and kimbra relationship poems

However, because Kimbra was used as a throwaway addition to his If the female in the narrative is in an abusive relationship, it's hard to tell if. Hearts a Mess - Gotye .. Somebody That I Used to Know- Gotye & Kimbra relationships ain't easy Relationship Struggles, Hard Relationship Quotes. Somebody that I used to know, Gotye feat Kimbra I told him that I often idealise the thought of love, rather than the relationship itself. . I am often too afraid to write poetry as I know my poems won't be as beautiful as Julia's.

An elderly neighbour, having heard Downstares rehearsing over the years, gave his then-recently deceased wife's LP record collection to De Backer. Boardface InDe Backer recorded his first tracks primarily using samples.

He drew on his cultural history for inspiration when naming his new project; Wouter translates into French as Gaultier or Gautier or Gauthiera pet name used by his mother who gave French classes when he was a child.

He chose his own spelling of this variation and named the project Gotye. He sent the CDs out to every radio station and recording industry contact he could find in the phonebook, then followed each up with phone calls to ensure they were delivered. Feedback on the first release was mainly positive with Melbourne street press and Australian alternative, youth orientated radio station Triple J taking notice, [16] giving him confidence to continue with further sample-based recordings.

Around this time, Gotye met fellow singer-songwriter Kris Schroeder at a party in Mt Eliza, and the two began performing together under the name The Basics. They formed an enduring songwriting and performing partnership and became regulars on the live music scene, giving De Backer an outlet for his passion for live performance. The Basics have continued to tour and record alongside Gotye, releasing four albums between and De Backer went on to produce two more four-track Gotye collections which were met with positive reviews, with several tracks getting onto the rotation at youth radio station Triple J.

The CDs were made in the same style as the first, with De Backer hand crafting each one and tenaciously chasing up every opportunity to get an audience for his work.

Exegeting Gotye's 'Somebody That I Used to Know'

Interest in the Gotye project was growing, and De Backer was eventually offered a distribution deal by the label company Creative Vibes for an album, which would essentially be a collection of the tracks from his three earlier releases.

The album art is a painting of De Backer's father that was salvaged from his home garden where it was discarded. His album was released as Boardface in late He took up work at a local library, while continuing to perform with The Basics and record his own Gotye tracks.

Over the next few years, De Backer moved several times, each time shifting his home recording studio to a new location with new acoustic qualities. The culmination of this was the second Gotye album, Like Drawing Blood —named in reference to the difficulties De Backer experienced in recording his music in ever-changing environments.

gotye and kimbra relationship poems

His first single, "Learnalilgivinanlovin", was released in August InLike Drawing Blood came in at No. Like Drawing Blood was officially released in the U. Making Mirrors and international success After the success of Like Drawing Blood, De Backer was able to establish a permanent home, still in Melbourne's south east. Inhe set up a recording studio in a barn at his parents' farm and set about recording tracks for his third album. He is trapped in the past, unable to move on, regardless if he was truly wronged or not.

To emphasize this point, the geometric shapes fully surround his naked body before they start to make their way across his skin like some sort of infection. The chorus cuts in, the emotions intensify, and the song becomes much louder.

The sullen, remorseful victim reveals himself to have a darker, more forceful side. He is on the attack, throwing out accusations: It is an dehumanizing her you are nobody to me while attacking her you are to blame for this. By the end of the chorus, his body is fully painted and he is seemingly one with the background. Symbolically speaking, Gotye has given up his humanity to fade away into nothingness.

At the same time, he is also camouflaging his vulnerability, hiding it behind his rage. Although these two actions might seem different, they represent a coping mechanism, an attempt to disassociate himself from the pain by equal parts hiding and lashing out.

gotye and kimbra relationship poems

He has removed himself from the previous relationship so he cannot be blamed for its failure. On its own, the first half of the song and its video are great. The symbolism is well-formed and tight. The message is meaningful. The irony allows for incredible depth. But this is not the full song, and the second part allows it to truly transcend. Just beyond the half-way mark, we pull back to see that there is another figure hiding in the painting: Her back is turned to us, her identity is mysterious, and she is covered in the same geometric patterns that allow her to blend into the wall.

Not only has Gotye dehumanized himself through obsession, he has dehumanized the woman who he blamed for all of his failings. She lacks identity until she takes charge, providing a voice in response to his.

With a slow turn of her head, her verse begins in a similar manner, reflecting on her own pain and obsessing over the past: But she is speaking to Gotye while he was always speaking to us, and her turned face no longer matches the pattern in the wall, allowing her to stand out.

Exploring Gotye’s ‘Somebody That I Used to Know’

There is raw emotion, sorrow mixed with anger, but it is as much directed to herself and to him. He isolates himself in his relationships then uses the inevitable destruction to justify isolating himself in his next relationship.

However, they have no effect, and Gotye resumes singing the chorus to defend his own obsession. He can attempt to silence her voice, but he cannot destroy her identity. She moves away, turning her back on him and us as the paint disappears from her body.